Hello Everyone,
A few weeks ago, two copies of the July issue of Bay State Parent  magazine arrived in my mailbox at Hollins.  I have never been to the  Bay State, nor am I a parent.  Surely just one copy of a magazine that  is totally irrelevant to my life experience would have sufficed?
Actually, on pages 28 and 29, accompanying an article entitled “Girl  Talk Should Start Early,” my first ever published illustration was  printed, and these were the two complimentary issues the art director  had sent to me:
If you had asked me five years ago, or even five months  ago, what I thought the topic of my first professional foray into  illustration would be, I probably would not have guessed  “menstruation.”  And if you had asked me what my second foray would be, I  am pretty sure I would not have said, “tuna.”  And yet, in the fall, What’s Up? Annapolis magazine will publish an article about canned tuna for which I did an illustration:
And that’s one of the 8493 reasons why I enjoy life so much.  There is  absolutely no predicting it, or at least a lot of it.  And in many  respects, that’s why I love illustration too.    Because illustrators  are often responding to a text or project assigned to them, rather than  one that they create, there is a healthy degree of chance in their daily  lives.  All creation relies on some degree of spontaneity, but when  your job is to make things on a regular basis, be they poems or  pictures, how do you ensure your creative impulsiveness keeps its edge?
I read an Oswald Chambers quote a while ago that I found intriguing.   “Love is spontaneous,” he says, “but it must be maintained by  discipline.”  This seems contradictory, I know.  Spontaneity itself  cannot be disciplined.  Even the act of becoming conscious of it spoils  it in the same way that self-awareness kills humility.  But making sure  that I have times when I allow myself to be spontaneous -- that can be  regulated.  If I don’t write periodically, or talk on the phone with my  friends often, or pray consistently (all disciplined actions), then my  art and my love won’t be as free or as voluntary.
I’ve come to see the above paradox in this way: If love is a river, then  the emotional impulse driving it, that passion which dampens the eyes  of a child’s parents at her first ballet recital, and which prompts a  hitherto illiterate young lad to compose sonnets to his beloved swooning  on the balcony above, is the water.  Impetuous and enticing, it is the  half of love we usually make art about.  But the other half, less  conspicuous but just as crucial, is the banks of the river: the  discipline that must factor into the equation in any kind of longterm  love.  Whether this discipline takes the form of going on weekly date  nights or writing regular letters to your grandmother, love is as  dependent on our level of consistency as it is on the impulsive passion  inspiring our actions.  Without boundaries, a river cannot exist.  It  would be as un-sustaining and turbulent as an unmanned garden hose  writhing about, spitting water violently into the air.  The banks of a  river give it both direction and definition.  Without banks, the water  would simply run into the surrounding countryside, dissipating rapidly.   Without the water, though, the banks delineate only a dry bed.  A  river’s power power comes from the combination of the two.
My brother and I love to mock our father when we travel.  (Of course, we  treat him with due reverence and esteem when we’re not on holiday . . .  )  Inevitably, after an interesting encounter or an unexpected  conversation, my dad will say something along the lines of, “How  serendipitous!  When I woke up this morning, I certainly wasn’t  expecting to __________.”
But though we ridicule the Jacksonian need to discuss and evaluate  virtually every out of the ordinary experience, my dad’s assessment is  valid.  Going to new places fosters surprising encounters and  activities.  But anyone who has planned a trip knows how much work goes  into making sure that there will be time and space for these moments of  spontaneity to occur.
And so it was with my tampon and tuna illustrations.  I was in a class  -- a regulated environment -- which connected me to the art directors of  each magazine.  Within that context, I was able to bring my own  spontaneity to a topic I certainly wasn’t able to predict.  A prize for  anyone who can correctly guess the topic of my next illustration.  An  even bigger prize for anyone who actually gets me my next illustration.
Have a good, serendipitous week,
Sarah/Mouse
To read the Bay State Parent magazine article in pdf form, go to http://www.baystateparent.com/find-a-copy/the-archives/July-2011-baystateparent-Magazine-124801439.html, scroll down and then jump ahead to pages 28 and 29.
To see my website, which I’ve updated with artwork from the spring quarter, go to my website at www.clearasmudillustration.com.
 


 
1 comment:
Sheebs~
HAHAHAHAHA. Oh, Daddy-o. Great lil' thistle, sheebs. I LOVED your metaphor about the river - very valid. I mos def never thought of the banks as really being part of the river. Way to be, homeslice.
Wooty-woot-woot.
Me
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